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Showing posts from December, 2017

Murder on the Orient Express

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A competently directed and beautifully shot film by Kenneth Branagh that did not veer too much from Agatha Christie's source material. A refreshing take of a classic story that engages but never really hooked the audience. And if not for the strong ensemble of veteran thespians holding this film up, it would surely have not been as entertaining especially since the younger actors were general disappointments (with the exception of breakout actor Tom Bateman) as their obvious inexperience were starkly apparent when compared directly opposite the likes of Branagh, Dame Judi Dench, Olivia Coleman, Derek Jacobi, William Dafoe and Michelle Pfeiffer.

Branagh and writer Michael Green managed to inject some originality and freshness to this (mostly) familiar story but despite Branagh's eye for staging, blocking and mood, he never really managed to capture that elusive hook that made this improbable Christie's story so gripping in text. There was a lack of climatic excitement and …

Coco

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An absolute crowd-pleaser  for the whole family. Pixar has done it again with a four-quadrant winner that resonated across generations and culture. It may not be as (pseudo)-intellectual as Inside Out but it definitely pack a great emotional punch especially in its third act, with a strong story line on the evergreen theme of family vs self and obligation vs passions that never turned schmaltzy. Great voice work all around in particular Anthony Gonzalez and Gael Garcia Bernal, with great music and score from Kristen Anderson-Lopez and Robert Lopez, the duo that gave us the hits from Frozen, and Michael Giacchino who is back - at last - with a mariachi-tinged score that delivered on the emotional journey.

Directed by Lee Unkrich, who also gave us the last real Pixar tearjerker, Toy Story 3Coco continued Pixar's animation technological supremacy. The film was gorgeous to behold and tiny nuances like the translucency of the skin, the glow of candle light and the luminosity of the