18 October 2018

A Star is Born


This was honestly a good film. It had its faults, but it was entertaining enough although ultimately it felt like an extended Lady Gaga music video with a love story thrown in between sets.

As a whole, the film felt indulgent, unfocused, superficial, and really could be shortened by 20 to 30 minutes. It only livened up whenever Bradley Cooper cuts to Lady Gaga singing. This was clearly a vanity project for Cooper and as a first time director he told a straightforward, albeit slightly misogynistic, story. The main flaw was he seemed conflicted as to whose story the film wanted to tell, Cooper's or Lady Gaga's or theirs? The chemistry between Cooper and Gaga was there but it never really felt elevated to that of two people deeply in love (although Cooper's self-loving was blatantly apparent). Gaga, although shortchanged as character, felt at ease in her role that seemed reflective of her and was truly alive when she sung. Speaking of which, her voice was the true star of the show. It raised goosebumps, but sadly that only happened in the first act.

Cooper will definitely make a great music video director or even a live-concert producer. However, as a film maker, he threw many cliches and tropes onto the screen. Close-ups for the emotional moments (which really highlighted Gaga's expressive face but not her as an actress on the whole),  multiple edits within a scene to make sense. Have a villain and make him British! Focus on your female lead's breasts and make sure she have no female friends, but wait, she must have a gay bff! (insert eye-rolls).

There were also a number of in your face scenes that felt expository and betrayed the old adage of "show, not tell". It was like Cooper felt insecure that his audience had no idea what he wanted to say, so he just went,  "let us telegraph everything so nobody misunderstands me".

Then we had Gaga's character. We never really got a sense of who she is. It was all just superficially brushed out and when things happen we just ended up accepting it. That made it easy for Gaga to act but really did not give her much of a range or emotional depth to mine. Gaga had a natural ease for the character and a lot had to do with how similar she is to her. But, looking closely, there were times when Gaga felt like Gaga and not her character, and also times when Gaga was Acting. It is hard to imagine how she will be fare as an actress beyond this role (American Horror Story: Hotel definitely did not help, Golden Globes Award notwithstanding).

Cooper is a good actor. He has the nominations to prove it, but here he really went for it and chewed the hell out of the scenery, ostensibly refusing to yield the spotlight to Gaga who had the better character on paper.

Together, Cooper and Gaga felt like great friends. There definitely was love between them but it was not that of the deep, romantic, I-will-die-for-you kind of love. It was a co-dependency kind of love which, if you think about it, sort of made sense in the film, but then kind of goes against the narrative.

The songs were the highlights. Even Cooper's bits. Although Lady Gaga will surely get at least one, Oscar nomination, or two, for the original songs.

I felt that a lot of praise that has been lavished on this film was because of the initial lowered expectations from Bradley Cooper as a first-time director, and Lady Gaga as a first-time movie star. Consequently, with all the hype thereafter, expectations became a lot higher.

With all the hype surrounding it, I am sure it will get some love come Oscar time, but other than Best Song, any wins - at this moment - will seemed quite hollow.

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