Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

18 June 2020

Bad Education [HBO]


Fantastic performances by Hugh Jackman and Allison Janney, who had superb onscreen chemistry, in this dramatisation of the largest public school embezzlement in American history. If this was a theatrical release, both Jackman and Janney will be definite shoo-ins for Best Actor and Best Supporting Actress nominees. 

The film, on the other hand, was weaker than its stars. As with most true-story retelling (and even adaptations of popular novels), the cinematic tension and conflict will have to come from within the narrative or the characters, given that the audience would most likely already be aware of the final outcome. And in this case, director Cory Finley and screenwriter Mike Makowsky were not able to find a hook to fully engage the audience for them to care. Sure, Jackman's character was the lead but we never really got inside his head except for a few fleeting moments that were more due to Jackman's abilities rather than the story itself. It was the same for Janney's case, who had slightly more histrionic scenes and sold it much better than the materials that was handed her. 

The pacing was appropriate but it never felt like the story had any emotional or dramatic beats. It was more a retelling of an event rather than a fictional dramatisation of one; the premise was interesting, but the execution was flat. Other than the writing for the two stars, the rest of the of the writing was alternating between clunky, heavy exposition, and cringeworthy cliched.

Jackman was stellar. He held the screen and story together through all the faults. It was a perfectly fine-tuned, nuanced performance and a certainly a career best for him. He was a sociopath that was equally smarmy, charming, deceitful, manipulative, loving, caring and passionate. It was possible to believe all that in his portrayal of Dr Frank Tassone. Most people just think of Jackman as another Marvel superhero or that guy from Les Miserables, but many also forgot that his Logan was one of the memorable incarnation of a superhero and that Jean Valjean gave him his only Best Actor Oscar nomination. Not only that, he also gave great performances in The Prestige, Prisoners and even Eddie the Eagle. However, come the Emmys, his biggest challenger for the Best Actor in a TV Movie/Limited Series will be fellow Marvel superhero, the green-man himself, Mark Ruffalo for a fellow HBO production, I Know This Much Is True (one of the most devastating, perpetually sad and inconceivably heavy series about life, lost, death, mistakes...and ultimately hope).

Janney was ostensibly the lead actress in this film, but really she was a supporting character to Jackman. The early scenes between these two actors were the highlights of the film and Janney's downward spiral was a sight to marvel. However, it is hard not to feel like we have seen all that from her already. From her multiple Emmy wins as CJ in The West Wing and her most recent Oscar-winning turn in I. Tonya, it is almost starting to feel like we want another breakthrough from this undeniably thespian, and for her not to get typecast into a particular sort of role. There is a good chance she will get nominated for an Emmy for this role, but winning it will be challenging as she will most likely be up against the phenomenal ladies of Mrs America (a superb series that was riveting and educational given its subject matter - the Equal Rights Amendment - and had a seriously stacked cast of actress who all brought their A-plus game; Cate Blanchett might just get the Best Actress in a TV Movie/Limited Series for her turn as Phyllis Schlafly). 

The other main supporting cast included Geraldine Viswanathan who felt out of her league acting against Jackman and Janney, Ray Romano giving a very Romano-esque performance, and Annaleigh Ashford who did the best she could with what she was given.

The score was by Michael Abels and it was quite memorable although might not be entirely fitting for the film as a lot of time it stood out distinctively rather than assimilating with the look and texture of the screen. 

It is debatable whether it was the right decision for HBO to acquire this film. Given the current climate, it seemed likely that it will reach a bigger audience than a theatrical release. However, its cast did have a good chance of Oscar nominations which could have given the film legs to carry it through Oscar seasons.  Nonetheless, at a trim 108 minutes, this film was an easy and entertaining watch buoyed by great performances from its two leads.

7 June 2020

13th [Netflix]



Educate yourself. Educate your children. Educate the people around you.

Bracing. Harsh. Terrifying. Honest. Brutal. Unbelievable. Shocking. Disgusted. Disbelief. Informative. Educational. Hopeful. These are just a few of the many words that suitably described this 2016 documentary by Ava DuVernay. And now, 4 years later, it is still relevant. Chillingly relevant.

As the documentary's tagline highlighted, "From slave to criminal with one amendment" and DuVernay and her interviewees strived to illuminate how America has gotten itself to its current - albeit 2016, although still extremely relevant in 2020 - state. There was a lot of information here and DuVernay had presented them in a clear, but not always concise, chronological order featuring a rotating cast of talking heads. 

The information provided comes from both sides of the partisan benches but not necessarily from both sides of the argument. DuVernay did try to insert some counter-balance into the documentary, but it was apparent from the editing that she had proportioned less weightage to those interviews. This document was an educational tool that leaned heavily on her point-of-view, which undeniably was where my own politics laid, but there was no space given for counter-rhetorics.  Nonetheless, it effectively accomplished its role in a brisk 100 minutes, i.e. to educate. Anything longer than that might strain the attention span of the ignorants, the casually curious, the on-the-fencers and lose recruits to her side.

Do listen to what DuVarney's interviewees have to say. They are not your typical celebrity activists, but, as their titles suggest, smart and invested people who are passionate about what they are saying and what they believe in. Perhaps, the only true "celebrity" will be Angela Davis, an icon of the Civil Rights Movement.

Do also watch the 30 minutes, Netflix-produced Oprah Winfrey interview with DuVernay after the documentary. It was equally illuminating and reassuring, and may answer a few questions that you may have had whilst watching 13th. Although DuVernany's mildly-rehearsed answer to Oprah questioning her about the ending of the documentary did help me to understand why it was ended that way, albeit I am still not entirely convinced that it was the right ending. 

Educate. Learn. Be Better.


27 February 2014

Oscars 2014


Well, it's that time of the year again, and for once, in a long, long, time, I have watched all the movies that are nominated for Best Picture, which incidentally include nominees for all the other main categories. Those outside the Big 9 include Cate Blanchett for Best Actress for Blue Jasmine, and Meryl Streep and Julia Roberts for Best Actress and Best Supporting Actress, respectively for August: Osage County.

In retrospect, my personal favourite movie of 2013 (as based on release date in America) was All Is Lost. Other favourites include 12 Years A Slave, Inside Llewyn Davis, GravityBlue Jasmine, Frances Ha (I watched it on the plane, but did not review it) and The Conjuring.

Like last year, below I give my predictions on who should win and who will win for this year's Academy Awards for the big 8 categories and my own personal favourites of Best Cinematography and Best Score (nothing interesting in the Animated Feature). Winners will be updated in red.

Best Picture
12 Years A Slave
American Hustle
Captain Philips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
The Wolf of Wall Street

Who Should Win: 12 Years A Slave
Who Will Win: 12 Years A Slave

Of all the nominees, 12 Years A Slave is the one that has the grandeur and sweep on top of its stellar cast, director and screenplay. An important message also definitely booster its chances. The dark house will surely be American Hustle who has even more star-power and American goodwill towards its director and stars.

Best Director
David O. Russell, American Hustle
Alfonso Cuaron, Gravity
Alexander Payne, Nebraska
Steve McQueen, 12 Years A Slave
Martin Scorcese, The Wolf of Wall Street

Who Should Win: Alfonso Cuaron, Gravity
Who Will Win: Alfonso Cuaron, Gravity

Just that jaw-dropping, astounding opening tracking scene itself is more than enough to secure Cuaron his little bald man.

Best Actor
Christian Bale, American Hustle
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall Street
Chwitel Ejiofor, 12 Years A Slave
Matthew McConaughey, Dallas Buyers Club

Who Should Win: Chwitel Ejiofor
Who Will Win: Matthew McConaughey

Robert Redford was robbed of his nomination, and if was nominated, he would have most likely given McConaughey a run for his money. Unfortunately for Ejiofor who I think gave a more powerful performance, the McConnaissance is too strong.

Best Actress
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County

Who Should Win: Cate Blanchett
Who Will Win: Cate Blanchett

A slam dunk for Cate Blanchett since mid 2013. She has always been the one to beat, and sadly her closest competitor would be Amy Adams, with Judi Dench a distant third, and Bullock and Streep not really deserving their noms. The only thing to hurt Blanchett will be that awful letter from Woody Allen's daughter, Dylan Farrow.

Best Supporting Actor
Barkhad Abdi, Captain Philips
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years A Slave
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyers Club

Who Should Win: Jared Leto or Michael Fassbender
Who Will Win: Jared Leto

Jared Leto definitely deserves a win more than his co-star Matthew McConaughey. Besides one of the more showy role amongst the nominees, Leto gave an honestly touching and emotionally raw performance. Fassbender has an outside chance for his complex portrayal of what could be a stock villain.

Best Supporting Actress
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong'o, 12 Years A Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska

Who Should Win: Lupita Nyong'o
Who Will Win: Jennifer Lawrence  Lupita Nyong'o

Both Lawrence and Nyong'o gave the best performance of all these outstanding actresses. In my heart, I really think Lupita Nyong'o should win for her heartbreaking role, however, Lawrence gave one of her best performances in years (much better than the one in Silver Linings Playbook that nabbed her her last Oscar) and J-Law is definitely riding a much bigger wave of popularity than newbie Nyong'o. This is one category that I would like to be wrong. (edited 3 Mar 2014: glad I was wrong! Go Lupita!)

Best Writing - Original Screenplay
American Hustle, Eric Warren Singer and David O. Russell
Blue Jasmine, Woody Allen
Dallas Buyers Club, Craig Borten and Melissa Wallack
Her Spike Jonze
Nebraska, Bob Nelson

Who Should Win: Spike Jonze
Who Will Win: Spike Jonze

Her is pure originality. The concept may not be original but to pen that idea into a screenplay and have it so intimately and successfully translated to the big screen is an accolade by itself. Although American Hustle might sneak in here as a consolation prize to losing out Best Picture.

Best Writing - Adapted Screenplay
Before Midnight, Richard Linklater, Julie Delpy and Ethan Hawke
Captain Philips, Billy Ray
Philomena, Steve Coogan and Jeff Pope
12 Years A Slave, John Ridley
The Wolf of Wall Street, Terence Winter

Who Should Win: John Ridley
Who Will Win: John Ridley

Ridley screenplay for 12 Years A Slave managed to find the heart and emotional core of Solomon's journey within the time frame of the movie. The narrative pace of the story was kept constant with sufficient tension to keep the viewer reeled in. Before Midnight may steal a consolation here as a combination of the trilogy.

Best Cinematography
The Grandmaster 一代宗师, Phillipe Le Sourd
Gravity, Emmanuel Lubezski
Inside Llewyn Davis, Bruno Delbonnel
Nebraska, Phedon Papamichael
Prisoners, Roger Deakins

Who Should Win: Any of the above.
Who Will Win: Emmanuel Lubezski

Any of the above nominees deserve to win. They all have moments of absolutely stunning cinematography. The Grandmaster winning it will be a great boost for Wong Kar Wai, but Lubezski will most likely nab the price for the technical difficulty in filming Gravity itself.

Best Original Score
The Book Thief, John Williams
Gravity, Steven Price
Her, William Butler and Owen Pallett
Philomena, Alexandre Desplat
Saving Mr Banks, Thomas Newman

Who Should Win: -
Who Will Win: The Book Thief, John Williams  GravitySteven Price

I have only watched 3 of the 5 movies nominated here, and of these 3 I would think that Gravity's score was the best. However, they are matched against perennial titans Williams and Newman, and I have heard good things about Williams' score for The Book Thief. My vote would go to Williams just because he gave us, in my opinion, a rocking, fantastic, awesome soundtrack for Man of Steel.

Miscellaneous thoughts of other categories

Best Animated Feature: Frozen should be winning this award but a win for Miyazaki's last movie The Wind Rises would be awesome.

Best Song: Definitely Frozen's "Let It Go" with Her's "The Moon Song" in second place.

Best Foreign Language Film: The Hunt was really good! Too bad The Grandmaster  did not make it past the long list.

Best Production Design: The Great Gatsby has the most sumptuous set although Her's production design was also very well done.

Best Costume Design: The Great Gatsby might nail this too, although Amy Adams wardrobe in American Hustle was practically its own character. The Grandmaster gorgeous cheongsams should get some love and respect too, but perhaps not in the Western world.

Best Visual Effects: Smaug wins hands down, Gravity is more a directorial/filming feat rather than visual effect supremacy.


23 February 2013

Oscars 2013

The 85th Academy Awards is just around the corner and here in Singapore all but two of the Best Pictures nominees - "Beasts of The Southern Wild" and "Django Unchained" - have been screened. I have watched a lot of movies over the past few months, and other than the aforementioned two pictures, I had watched all the other nominees. Same goes for the Best Actor, Best Actress and Best Director races. As we all know, the eventual winners get the their little gold man because of a multitude of reasons and not only because they are the BEST of their category. Politics, goodwill, marketing and gossip all play a part. For folks who follow this blog, it is no secret that I am not a fan of "Argo". Nothing against Ben Affleck, but I sincerely do not understand why "Argo" (and Affleck) is sweeping all the precursory awards. "Amour" is my favourite show of the year and if I have my way it would win everything it is nominated for. A bonus will be if Whedon's "The Avengers" get its sole award too! With all that out of the way, below is my list of who I think should win, and my predictions on who will win, the Big 8 awards and my personal 3 favourite categories of Best Animated Film, Best Cinematography and Best Original Score, come Oscar night. 

*Winners are highlighted in red. 6/11 predictions correct...damn, that's bad. 

BEST PICTURE
Beasts of the Southern Wild
Django Unchained

Who Should Win: Amour or Zero Dark Thirty
Who Will Win: Argo 

Argo's win here will be inevitable given its sweep, but its lost will be greatly appreciated (even if to Lincoln).


BEST DIRECTOR
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild

Who Should Win: Michael Haneke
Who Will Win: Steven Spielberg

In another world, Kathryn Bigelow should have been nominated for Zero Dark Thirty and win the award. In her absence, Haneke would be a befitting recipient, but alas, Amour is a little watched foreign language film. It will be a fight between Spielberg's historical behemoth and Lee's gorgeous CGI epic.


BEST ACTOR
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight

Who Should Win: Daniel Day-Lewis or Joaquin Phoenix
Who Will Win: Daniel Day-Lewis

This is almost a lock for Day-Lewis amazing performance, although Phoenix was equally impressive in the underwatched The Master.


BEST ACTRESS
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook
Emmanuelle Riva, Amour
Quvenzhané Wallis, Beasts of the Southern Wild
Naomi Watts, The Impossible

Who Should Win: Emmanuelle Riva or Jessica Chastain
Who Will Win: Emmanuelle Riva

Riva is simply amazing in Amour, but if the Amour curse strikes, then I'd rather hope Chastain gets the award for a strong portrayal of an equally strong character. Unfortunately, as much as I think Lawrence is a gifted artiste, her role is Silver Linings Playbook lacked complexity and layers. But she has the goodwill factor going on for her. Going out on a limb, I predict the Oscar will go to Riva in respect for her work and her age.


BEST SUPPORTING ACTOR
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Phillip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained

Who Should Win: Tommy Lee Jones or Philip Seymour Hoffman
Who Will Win: Tommy Lee Jones

This is a close fight here. De Niro has the sympathetic vote and he may actually win it, but Jones was really outstanding in Lincoln. Hoffman is really more a co-lead than supporting actor and he may suffer for that. Arkin (and Goodman) was the best thing in Argo, but the others are too strong.


BEST SUPPORTING ACTRESS
Amy Adams. The Master
Sally Field, Lincoln
Anne Hatheway, Les Miserables
Helen Hunt, The Sessions
Jackie Weaver, Silver Linings Playbook

Who Should Win: Anne Hatheway or Sally Field
Who Will Win: Anne Hatheway

This is another lock-in. Hatheway simply got the award just for her heartbreaking scene of "I Dreamed a Dream". However, Sally Field was consistent throughout the whole duration of Lincoln compared to Hatheway's rather short appearance as Fantine. But duration as never stopped anybody from winning. Poor Adams, always a bridesmaid.


BEST WRITING - ORIGINAL SCREENPLAY
Amour, Michael Haneke
Django Unchained, Quentin Tarantino
Flight, John Gatins
Moonrise Kingdom, Wes Anderson, Roman Coppola
Zero Dark Thirty, Mark Boal

Who Should Win: Michael Haneke or Wes Anderson/Roman Coppola or Mark Boal
Who Will Win: Mark Boal

Amour might actually win this as a consolation price (other than Best Foreign Film). Moonrise Kingdom was a really sweet, and smart, movie about young love but its quirkiness is also its downfall. Zero Dark Thirty was well written and narratively strong, but its controversy regarding torture is an opportunity for Amour to win this award.


BEST WRITING - ADAPTED SCREENPLAY
Argo, Chris Terrio
Beasts of the Southern Wild, Lucy Alibar, Benh Zeitlin
Life of Pi, David Magee
Lincoln, Tony Kushner
Silver Linings Playbook, David O. Russell

Who Should Win: David Magee or Tony Kushner
Who Will Win: Chris Terrio

The Argo effect. If Magee or Kushner wins this, the other's respective director will win the BEST DIRECTOR, and Argo wins Best Picture. If Argo wins this, there is a small chance that it will lose the big award. Argo has a great story but the way it was written was tacky and unnecessarily dramatic. Cloud Atlas should have been at least nominated here.


BEST ANIMATED FEATURE
The Pirates! Band of Misfits

Who Should Win: ParaNorman
Who Will Win: Wreck-It Ralph

ParaNorman was smart, funny, touching and sincere, but adult-skewing. Wreck-It Ralph appealed to everybody and was entertaining too. Rise of The Guardians should have at least gotten a nomination. Its failure is a puzzle.


BEST CINEMATOGRAPHY
Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda
Lincoln, Janusz Kamiński
Skyfall, Roger Deakins

Who Should Win: Roger Deakins
Who Will Win: Claudio Miranda

Deakins' name is not on the ballot so voters may just see Skyfall and give it a pass. On the other hand, Miranda has been sweeping the awards. Kamiński's work was also gorgeous in Lincoln.


BEST ORIGINAL SCORE
Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna
Lincoln, John Williams
Skyfall, Thomas Newman

Who Should Win: Alexandre Desplat
Who Will Win: Mychael Danna

Desplat should win because I think he has done marvelous work throughout the year. His best score this year was actually for Rise of The Guardians, but his work for Zero Dark Thirty and Rust and Bone were also brilliant. His score for Argo was actually rather underwhelming compared to the others. Newman and Williams did not perform as well this year. Although Danna might actually sneak in a win since his score for Life of Pi was actually better than Desplat's Argo. (*note: Skyfall's "Skyfall" should surely win BEST SONG)

Transformers: Rise of the Beast

A fun, mindless summer popcorn, CGI-heavy, action-packed studio flick that sufficiently entertained without requiring too much, or any, thin...