Episode 1, "Pilot": Now, this is an ace show! Possibly the best new series of the season. Hopefully this ABC drama can keep up the rhythm and energy throughout. Excellent acting by Connie Britton, who has a shot at joining Juliana Marguiles to represent network TV's women in the Emmys next year. Even Hayden Panettiere, who was more annoying than anything else in "Hero", was actually well cast in her role. The tension between both ladies felt real and intense, and makes for an interesting combination. Then of course are the supporting actors. I do not really know them well but thus far they all seemed to have identified well with their characters and none of them appeared too stiff or unnatural. Power Booths as the patriarche of the family simply oozed evilness on the screen, but his scenes regarding the political aspects of the show with his son-in-law played by Eric Close (reminds me of an older James Wolk) were the dullest part of the episode. Let's hope it gets better. Lastly, of course, like any other shows, you need the young romantic subplot. Which in this case, gave us possibly the best song of the night. But otherwise, Scarlett, Gunnar and Avery, hope you guys do not take up too much screen time per episode. Britton is an under-rated gem!
Episode 2, "I Can't Help It (If I'm Still in Love with You): Excellent chemistry between Connie Britton and Charles Esten. Unfortunately, the same cannot be said of the younger couple they are trying to sell to us. Gosh, that triangle is so uninteresting. Hayden Panettiere is really shining in this role, but sadly, it does not say much about her ability to act, since her last scene is not very convincing. The politics still feel a bit tacked onto the country music side, although Power Boothes simply exudes evilness. I get chills just looking at him. Really intrigue! I am sold on this show, and this is only the second episode!
Episode 3, "Some Day You'll Call My Name": Now this show knows about character development. From Evil Daddy to Juliette to Teddy, these characters are showing a different side to them. Juliette's mother gives her some depth which Panettiere can sometime sell it, but at least, although the character is a bitch, she is more tolerable here than in "Hero". And it looks like more meaty scenes are upcoming for Panettiere. On the other side, unfortunately, as good an actor Britton and Esten are, their characters need to move forward more instead of just talking around and hovering around the same spot. The young lovers are annoying. That love triangle needs to be resolved ASAP. Only 1 new song tonight not too bad, but sounds similar-ish to their previous duet.
Episode 4, "We Live in Two Different Worlds": A Juliette-centric episode, with a rather realistic portrayal of celebrity crime, ego, and the truth behind the facade. Panettiere managed to translate some of the complexity of her character which makes Juliette not such a big a bitch as previously. Thankfully, the young lovers have more of a development and break off the triangle for the time being. Looks like Teddy had been a bad, bad boy with some skeletons in his closet. However, the political storyline still does not flow as smoothly with the rest of the plot. Rayna and Deacon are still dancing round and round to the same tune with inscrutable, vague dialogue exchange.
Episode 5, "Move It On Over": Teddy's affair and/or corruption case is getting boring, so thankfully it is more or less resolved for now, but it sure as hell is going to come back and bite his arse. But, man! Power Boothes sure is evil! He and Robert Patrick of "Last Resort" are gunning for Supporting Actors nods. Juliette's storyline is actually the most interesting one now, Rayna's on the other hand is stagnating. For the young lovers, boring and annoying still.
Episode 6, "You're Gonna Change (Or I'm Gonna Leave)": Rayna has the most boring storyline. What a pity for Britton who is supposedly the headliner. Juliette's new direction with the choirboy-quarterback is actually quite cute, and they two have chemistry which I would love to see more of. And hopefully a new side to Juliette. The political storyline takes up the bulk in this episode, and it really isn't that interesting. Why did Coleman not throw out the pills? Is there even 7 pills left (which was so heavily emphasised on the last episode)? His wife reminds me of Sherry Palmer from the first two seasons of "24". Scarlett finally dumped Avery which I hope it lasts. But I must say, Avery's song was strangely addictive in a country-rock sorta way. Perhaps laying the foundation for Rayna's sound.
Episode 7: Gosh! The political storyline is so boring! Britton needs a meatier role in her own headlined show. Though now that Rayna's and Juliette's threads have collided spectacularly it's getting more interesting. And Juliette's romance with the footballer is actually quite sweet. That last duet was a killer!!
Season 2, Episode 1, "I Fall to Pieces": Hopefully the political lines falls apart, and now that Power Boothes is a recurring actor, maybe so will the family business intrigue. But, from the ending, it looks like the family personal intrigues will continue. Ted and Peggy are still just as annoying. At least it looks like Juliette has grown up a bit, or not. Please end the whole Gunnar-Avery-Scarlett triangle. Let one of them grow up.
31 October 2012
27 October 2012
Looper
A tedious, pseudo-intellectual flick that tried to integrate two genres into single film. The time-travelling bit can give you a damn headache if you think too much about it; the second bit was so heavily foreshadowed it was a roll-eyed moment. I kept hoping it'd "better" than that. The make-up for Joseph Gordon-Lewitt was amazing. He really looked and affected Bruce Willis almost to a T. But sadly neither himself or the usually brilliant Emily Blunt could save Rian Johnson from ruining an interesting premise. Pity though, simce Johnson brought us two brilliant gems in the past: "Brick" and "The Brothets Bloom". This movie touched on so many promising themes (redemption, nature vs nurture, choices, family vs self, self vs others, etc) but most of it were just soft caresses rather than a full blown body assaults. Granted, at least Johnson was not overtly explicit about any of them. However, just pick one or two and run with it! Also partly to blame was the casting director: both leads had no chemistry at all. They were good on their own but together it felt flat. Gordon-Lewitt spent more time emulating Bruce Willis' expressions than actually emoting and realising his character. Willis on the other hand just re-inhabited his John McClane persona throughout. And poor Blunt, with her fleeting British accent, did the best she could of her thankless role. A waste of an interesting concept.
End of Watch
An intense, gritty, pseudo-docu/drama about LA cops in the south central with a powerful, arresting performance by Jake Gyllenhaal. Shot almost entirely in handicam, David Ayer has written and directed another intense, complex showing of the LAPD (after "Training Day"), placing the audience right smack in the action. Could be nauseating but always intense. Ultimate action/bromance movie with brilliant chemistry between the charismatic Gyllenhaal and Michael Peña. Their characters were complex and the actors developed them fully and honestly. Gyllenhaal has a shot to be long listed for a Best Actor Oscar and Peña for a Best Supporting Actor, but whether they get recognised in the end will depend on the upcoming competition ovet the next few months. Same thing for Ayer. Also stars an unrecognisable America Ferrera and the sweet Anna Kendrick.
26 October 2012
RS Deli

New Indon-themed cafe/deli that opened up along the busy stretch of Upper Thompson Road. Young, breezy and cheerful, open design. Simple menu with a fast food ordering concept, but delivered to your table (a la Mos Burger). Unfortunately, the menu lacked fish and vegetable (vegetarian) options. The rice sets portions were on the small side, but is in accordance with the price. Like a typical Indonesian food, the curry and sauces tend to be on the sweet side which I found to be a tad too sweet. Both the beef rendang and chicken gulai need to be stewed longer and served hotter. As said, I'd prefer it to be less sweet and more spicy. The nasi lemak's chicken wing was on the dry side; the otak was really good but pity too thin and too small. All the rice sets were served with eggplants, excellent home-made sambal and potato-dried shrimps keropok thingy and rice. Each set has a different rice: plain rice, yellow rice and coconut rice. I felt that they should make it an option for the diner to choose, for which I would pick the yellow rice, but as explained by the chef-owner, each rice was chosen to specifically complement the main dish. The satay burger came in a bigger portion than the rice set and was also price-size appropriate. The chicken was juicy, but the satay sauce again lacked heat (both figuratively and literally) and veered towards being too sweet. Free iced water (self-serve) always a plus! Coffee's from Highlander which is also another plus.
Verdict: Good place for a casual Indonesian dining but do not expect to be easily filled; will come back if in the area and looking for Malay food.
The Perks of Being a Wallflower

25 October 2012
Catalunya

Verdict: Will be back to try something different.
9 October 2012
Magosaburou

Verdict: Can come again for lunch sets if I ever have premium wagyu craving. Did not look at the full a la carte menu properly, but looked expensive. Good view!
Note: Apologies no photographs for this makan session...next time!
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