26 April 2020

Never Rarely Sometimes Always [VOD]


Superbly written and directed by Eliza Hittman (go watch Beach Rats on Netflix), with a star-making turn by Sidney Flanigan, supported by an equally impressive Talia Ryder, this Sundance Special Jury Prize winner and Berlin Silver Bear winner was a harrowing, highly affective and emotionally draining film. It will definitely not be for everyone for this was clearly a pro-choice, libber flag-waving film. But, boy, was this film powerful! This film should be watched by as many people as possible, but for all those who believe in a woman's choice over her own body and that termination of pregnancy is a healthcare right,  then this film should be essential. It made me feel so proud of the strong, powerful, proud women amongst us and so damn ashamed of my gender.

All the male characters in the film were of varying degree of nastiness, i.e. all men are creeps but some are more so and some are less so, but creeps nonetheless. That might turn some male viewers off, but is your male ego really that fragile? Although some brutal honesty might make you a more honest man. And, only a female-led creative team could have pushed this message out, so kudos to them!

Hittman's directing was riveting. Filmed in a 70s docu-like style, the honesty of the narrative was brutal. Quite frequently dialogue-free, the emotional and physical journey of Flanigan's character was brought out through her raw acting (her acting debut!) and Hittman's intimate yet tender and non-intrusive camera work. We were always with her and that emotional resonance and empathy was electrifying, yet also sometimes scarily suffocating.

Towards the end of Act Two, where the title of the movie gets repeated (and it all made so much sense...no spoiler here), Hittman and Flanigan absolutely knocked it out of the park in that one long take that was a roller coaster ride of emotions and catharsis. Absolutely brilliant.

Yes, there was a bit of meandering in the middle where the film got a bit less tight, especially the subplot with Ryder's character and a boy; and yes, there were times when you would just want to grab Flanigan through the screen and lead her to the right decision. But then that would be missing the film's point, that our lead character is a flawed character, however for all her flaws, it was not her fault that she ended up where she was. True, she made choices but similarly she should also be allowed to be all other choices. As the film's tagline goes, it is her journey and her choice.

Flanigan and Ryder will have exciting careers to come and definitely two young stars to look out for.

And with Beach Rats and Never Rarely Sometimes Always, Hittman is definitely on the brink of a big breakout. Both films, so different in subject matter, yet similar in approach, felt honest, authentic and sincere. Will she go the way of Lynne Ramsay or Katherine Bigelow? Hopefully, both.

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