23 September 2021

Candyman


The updated Candyman was more a supernatural slasher-thriller rather than a straight up horror movie, or even a slasher flick. This was a direct sequel to the original 1992 film although foreknowledge was not required to enjoy it. Nia DeCosta, and her co-writers, smartly recapped the first film without bogging the narrative in exposition. In addition, the technique used - shadow-puppetry - was an effective device that linked to central theme of storytelling, urban legends and folklore. 

At a taut 91 minutes long, DeCosta's film was entertaining enough and delivered some tense moments and a few scares, with some well-staged kill scenes. Jordan Peele was a credited producer and co-writer and his DNA was evident throughout. Candyman - like most of Peele's projects - used the genre as a satirical mouthpiece. An of-the-moment film that mediated on Black history and racial justice, but in this case with a dose of Black folklore and generational trauma. 

DeCosta et al obviously also had too many ideas, but sadly not the canvas to adequately explore them. The film hinted at gender roles, gender inequality, familial trauma, etc, but most were only briefly hinted at or gleaned over without further resolution. Which then begged the question whether they should have even been mentioned at all or not, especially since on top of it all they had to tie this film in with the original 1992 for it all to really make sense.

Kudos to the two leads, Yahya Abdul-Mateen II and Teyonah Parris who were both fascinating to watch. The former as he explored his past and his identity, and the latter for not being a victim but a proactive agent of choice and change. Pity though that Parris could only really come into her own towards the end of the film.

Colman Domingo also stood out in a small but pivotal role.

Candyman was an entertaining film that felt like a pre-dessert rather than the main dessert. It lacked the depth of Peele's other films but at the same time it never took itself too seriously. Although, having now seen DeCosta's work, it will be interesting to watch her next team-up with Parris in the MCU's The Marvels.


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